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From one of the Beat movement's most accomplished writer's comes a witty, sexy autobiography and feminist epic poem. Long regarded as an underground classic for its gritty and unabashedly erotic portrayal of the Beat years, MEMOIRS OF A BEATNIK is a moving account of a powerful woman artist in a movement dominated by a small confederacy of men, many of whom she lived with and loved.
- Sales Rank: #3166903 in Books
- Brand: Brand: Last Gasp of San Francisco
- Published on: 1988-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x .50" l,
- Binding: Paperback
- 138 pages
- Used Book in Good Condition
About the Author
Diane di Prima is the author of thirty-four books of poetry and prose, which have been translated into sixteen languages. Born in New York City in the 1930s, she currently lives in San Francisco, where she works as a writer and teacher. Her most recent books include Pieces of a Song: Selected Poems and Loba, Books I and II.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Her description using all the senses isn't obnoxiously verbose like some boring wordsmiths
By rick
So its porno. Whatever. That's why I read it. The background of 50's New York is well written. Her description using all the senses isn't obnoxiously verbose like some boring wordsmiths. Maybe the pornography was added for marketing, I don't know. But it went well with her squalid living, listening to good music, eating and drinking, and hanging with her interesting misfit coterie. Even though this is a fictional memoir, I just know her real youth makes my teenage years in high school seem dull.
33 of 35 people found the following review helpful.
beatnik, not beat
By phigirl
a recent article on diane diprima in the chicago tribune (4/19/2000) called di prima's "memoirs of a beatnik" - "a sort of insider's Beat exploitation book Di Prima wrote in 1968 for Maurice Girodias' Olympia Press in Paris because she needed money badly--and quickly." It goes on to state that "It is mostly accurate, [di prima] said, except for the sex parts."
with that said, i doubt the book aspires to make any type of high-brow feminist or literary statement. the fact that is does make any such statement can be attributed to the time in which it was written. it is basically an account of a young woman venturing out on her own in times when young women did not do such things. young women lived at home, maybe went away to college, met a nice suitable young man, and got married. maybe had a job as a typist in the meantime. sex was not something young women from nice families experimented with.
this is not to say the book does not have its merits. it is artfully written, intelligent, and poetic. it's a great look at the obstacles women faced when they decided to do their own thing, especially when that differed from society's norms. it's a peek inside the counterculture that was growing larger and larger thanks to a certain jack kerouac. all of this raises the book above being just plain old erotica. as a fan of beat writing and culture, i enjoyed the book very much.
of course, the drawback to this book is that someone reading this book without knowledge of the context in which it was published will come away from it with a view of the beats that is as cartoonish and two-dimensional as the rest of society's view was of them at the time. "oh wow, look, the beats were always having sex." - "oh yeah, man, that's what they were about. coffee, sex, and alcohol. (and bongos and poetry and black berets)"
maybe that's why the title of this book is "memoirs of a beatnik," and not "memoirs of a beat." major difference.
14 of 15 people found the following review helpful.
Sensitive and Compelling Biography of the Lower East Side
By Annie Nash
Compelled to write after reading the other reviews-- I read this book when it was first published and found the sex (and feminism) secondary. This book read like a biography of most white women who chose to leave home and live on the Lower East Side in the 40s, 50s, 60s, 70s, 80s, and even 1990s. What blew me away was the quality of the prose and the parallels with the lives of women (usually White, Italian, or Jewish) I knew who moved there in the 1970s or 80s to recreate themselves. Side by side are Diane di Prima, Madonna di Ciccione (yes The Madonna), and countless women who have had 15 minutes or less of fame in the contemporary media. This book SINGS with the struggles and pain that many women put themselves through to break the yoke of suburbia. Read it and judge for yourself. Unfortunately, it is a tribute to how history repeats itself.
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